HybridSoundReform
Contact
Film MA
Works

マドリード国際映画祭
受賞作品を担当
RXによる先端の
音声修復に対応
5.1ch対応
映画館上映基準の
MA&MIX環境
国際映画祭受賞作品から劇場公開作品まで。
自主制作・インディペンデント映画を中心に、整音・MA・ミキシング・5.1chサラウンドまで
音響仕上げを担当します。
Sound quality improvement of audio / video data (sound adjustment / restoration / noise removal) | Mix mastering | Hybrid live sound source
WINNER
5.1ch
RX
Advanced
With the advent of smartphones, videos and audio are becoming more familiar and there are more opportunities to record them yourself. However, specialized equipment and technology are required to record with "beautiful sound". We will clarify difficult-to-hear conversations and restore and process music performances that lack power with the latest voice editing technology.
映画祭への出品作品から一般劇場公開作品、ドキュメンタリーまで。
収録された音を単に「きれいにする」のではなく、セリフ、環境音、BGM、効果音を作品の演出意図に合わせて整理し、観客が物語へ集中できる音響へ仕上げます。
映画祭から、劇場公開まで。
With the advent of smartphones, videos and audio are becoming more familiar and there are more opportunities to record them yourself. However, specialized equipment and technology are required to record with "beautiful sound". We will clarify difficult-to-hear conversations and restore and process music performances that lack power with the latest voice editing technology.
代表エンジニアが、作品と直接向き合います。
With the advent of smartphones, videos and audio are becoming more familiar and there are more opportunities to record them yourself. However, specialized equipment and technology are required to record with "beautiful sound". We will clarify difficult-to-hear conversations and restore and process music performances that lack power with the latest voice editing technology.

HybridSoundReform.com
Representative & Sound Refomer
/T.YAMAKAWA
I'm Yamakawa, the representative of "Hybrid Sound Reform", a music and voice remodeling service.
After graduating from high school in 1991, he aspired to be a recording engineer and entered the Department of Sound Arts, Naomi Tokyo Conservatoire. While studying recording techniques while attending school, he awakens to full-scale music production using MTRs and sequencers. Worked as an intern at Little Bach Studio in Harajuku (currently closed). (Dream Come True was recording)
After graduating from the same school, started full-scale music activities (band, composition and arrangement). It caught the eye of music producer Sachio Kubota and connected with Fuji Pacific Music Publishing, to which Yasushi Akimoto belongs, and made a demo recording (first experience recording SSL + PCM-3348 at Magnet Studio in Roppongi). The story of his debut faded out because he couldn't pass the planning meeting.
1998 Disbanded after a while after releasing only the indie mini album with the band "Siren". Immediately after, the men's and women's unit formed passed the audition for Sony-based Soi Tour Music (also disappeared due to the withdrawal of members during the presentation).
In 2002, it passed the ending theme capture project in the TV program. Appeared on TBS Digi stand but stopped music activities. Turned into a salaryman at the age of 30. After that, he went to the general merchandise / interior industry, which has nothing to do with music production. Improving store sales one after another. He travels all over the country as a great supervisor. Activated several brands and became the general manager of the sales division of listed companies.
I was surprised at the mastering by the DAW plug-in that evolved in 2014 and the audio restoration technology by iZotope's RX, and restored my past live sound source. As a result, he came up with the sound reform business and became independent. While being told by others that he was reckless, he conducted nearly 100 free trials and was convinced of all sound quality improvement needs until now.
・ Noise removal and clarification of voice recorders and voice memo data ・ Hybridization of live sound sources ・ Mix mastering of music works ・ Finishing and restoration of audio contents (narration, etc.) ・ Sound adjustment of movies and commercial video works ・ Noise removal ・ Sound cracking repair
SOUND POST-PRODUCTION
Corporate business partner
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映画・ドキュメンタリーの整音 / MA
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ダイアログ編集・明瞭化
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ノイズ・衣擦れ・風切り音などの音声修復
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ADR / アフレコ素材の馴染ませ
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環境音・アンビエンスの再構成
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BGM / SEを含むミキシング
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ステレオミックス
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劇場公開・映画祭向け5.1chサラウンドミックス
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ステム・各種納品データ作成
STUDIO / SYSTEM
Pro Tools Studioを中心に、iZotope RX Advancedをはじめとする音声修復・ミキシングシステムを使用しています。
モニタリング環境はADAM AudioおよびiLoud MTMを使用し、
ステレオから5.1chサラウンドまで対応。
さらにSoundID Referenceによる音響測定・キャリブレーションを行い、
周波数特性だけでなく、各スピーカーの距離・レベル・タイミングを測定結果に基づいて細かく調整しています。
5.1ch環境についても各チャンネルの到達時間を含めて最適化し、再生位置による偏りをできる限り抑えたモニタリング環境を構築しています。
大規模な商業スタジオではありませんが、感覚だけに頼らず、音響解析と実際の聴感の両面からモニター環境を整備。
映画館や商業スタジオなど異なる再生環境へ持ち込んだ際にも、作品のバランスが大きく崩れにくい音響仕上げを目指しています。
映画制作に必要な音声修復・編集・ステレオミックス・5.1chサラウンドミックスまで、一貫して行える制作環境を整えています。
CORPORATE CLIENTS
映画・映像制作だけでなく、放送、広告、教育、研究機関、出版、企業コンテンツなど幅広い分野の音声制作・修復にも携わってきました。
法人・団体との継続的な取引経験を含め、機密性や納期を求められる業務にも対応しています。








International Language House
Okayama Prefectural University
Public Opinion Times Co., Ltd.
Lean On Me Co., Ltd.
NPO corporation Turtle Eight
Tenpu Hall, a public interest foundation
Japan Foundation Japanese Language Center
Nihon Keizai Shimbun Maebashi Branch
Meiho Fatilicy Works Co., Ltd.
BUSINESS INFORMATION
屋号:Hybrid Sound Reform
代表:山川貴基
創業:2014年
事業形態:個人事業
所在地:埼玉県
事業内容:映画・映像作品の整音、MA、ミキシング、音声修復、5.1chサラウンド制作ほか
適格請求書発行事業者登録:未登録
作品の音について、ご相談ください。
完成間近の作品だけでなく、編集途中や「この素材でどこまで仕上げられるか判断したい」という段階からでもご相談いただけます。
映画祭出品、劇場公開、オンライン公開など、作品の公開形態に合わせた音響仕上げをご提案します。